The Nuns and
Crime were formed before the word punk denoted a particular type of
music. When people saw them in the early days, may realized that there
was something different about them, and that a fresh energy had been
infused into the dying musical expression know as rock 'n roll. It was
the beginning of the rebirth of the club scene. The Nuns and Crime represented
an older group of people who were bored with the status quo represented
by the established order. The Avengers and other bands that followed
were presented with a opportunity to express their ideas through punk.
They were the first of many bands who thought of themselves as punks
and part of a new generation of rebellious youth.
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"What was unique about the Nuns is
that we weren't a band. We didn't start out as a band, so we never were
in that band mold. Alejandro Escovedro and I were doing a film about a
loser. He was like a leading character, and a total fuckup, a total loser.
We decided to be the band for him since we didn't have the money to pay
anybody else to be the band. We wrote some songs, you know, like, 'Decadent
Jew,' and stuff like that. We decided, hey, this is pretty good."
Jeff Olener |
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"I heard that Blondie was playing the Mabuhay
so I went to see them. Crime was the opening band. I went there to see
this Crime thing because I read about them in Rock Scene magazine. I
thought they looked real cool and they were different, so we went
to the Mabuhay. I could not believe what I saw. I mean, here was this
band trashing shit, out of tune, they were horrible. Me and John were
laughing but they were popular with the crowd. It was this new realm
of lets-be-trashy-and-obnoxious-and-get-away-with-it."
Brittley Black
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1977 was a year with
a lot of activity on the local scene. The Mabuhay was hot and bands
were coming from all over to play there. Blondie, the Damned, Ramones,
and Devo, among others. New bands were being formed all the time: The
place was packed almost every night with people coming to see what all
the excitement was about. Punk and the Mabuhay became overnight sensations.
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"Me and Tim Mooney used to see Ricky Williams
walking up and down University Avenue in Palo Alto. He was out of place
there. He always looked like a singer to me, so one day I asked him
if he would be interested in getting together with Tim and I to sing.
He just flat said, 'No, I'm a drummer.' A month or so later I ran into
him and he wanted me to come and play with him over at Paul Draper's
house. He had not only been playing with Crime at the time, but he had
been jamming with Paul, who played bass. So I went over to their apartment
and we played. The cops came over and tried to bust us because we were
playing in this apartment in Redwood City. I thought what they were
doing was kind of interesting. I really wanted to get Tim Mooney involved
and I wanted to convince Ricky to sing. He decided to give it a shot
but he was so nervous about singing he had to take a lot of Quaalludes
and get drunk in order to sing. He sounded really bad. Tim and I got
fed up and we quit trying to do anything with him. A couple of months
later he called and said, 'Let's try doing it again.' This time, we
rented some time in a rehearsal studio in San Jose. Things just clicked
right away and we didn't have the problems we had before. Ricky stopped
getting really fucked up and we just started writing songs. We were
able to write a lot of material in a few months.
"I remember Ricky playing me a record that he did with Crime.
It was the worst thing I've ever heard in my life. I thought, if these
guys could make a record, then we're ready to play in the City. We came
up and got booked at the Mabuhay Christmas night, 1977, and that was
our first gig."
Michael Belfer
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